Posts

"Some Content not Appropriate for Children" -- Does It Really Improve the Text?

Current Reads: Orsinian Tales by Ursula K. Le Guin                         Interview with the Vampire by Anne Rice                         Catching Fire by Suzanne Collins Current Writing Projects: Various thesis work including my craft introduction and a short story being reworked as a triptych of flash fiction (yeah, it blew my mind too when I thought of it) It's been over a month since my last update. Sorry for that, but school gets crazy in the last month of the semester and then there's the post-semester desire to do nothing for a very long time (which I've kept contained to less than a week so far). A week or two back, I came across this quotation in an interview with Steven Moffat (the guy who now heads production of the British sci-fi series Doctor Who and BBC's modern Sherlock Holmes adaptation) regarding the difference between writing for an au...

Rules on the Use of Magic (Or Guidelines, Anyway)

A quick post to gather my thoughts and the thoughts of others on the subject. Laws on magic: Nesbitian laws (as stated by Brian Attebery): What is wished for must be paid for. In a growing number of fantasies, this is written out in some form of “Magic has a price.” Every magical act sends ripples of consequences out to the ends of the world. Magic tends toward chaos unless checked by patterns of word or number. Brandon Sanderson’s Laws of Magic: An author's ability to solve conflict with magic is DIRECTLY PROPORTIONAL to how well the reader understands said magic. (Sanderson uses this to delineate “hard” “soft” and “middle ground” magic, based on the level of explanation and understanding given to the reader in the text.) Limits > Powers, meaning that what limits a person’s powers makes that character more interesting than the possibly limitless powers would. Sanderson cites Superman’s weakness to Kryptonite as an example. Expand what you already have before you add somet...

Magical Realism and Fantasy

Current Reads: Midnight's Children by Salman Rushdie (for class)                              After the King edited by Martin H. Greenberg                              Walking with Frodo by Sarah Arthur Current Writing Projects: SOMEDAY , various short stories Once again, my classes are inspiring me to put thoughts down on the page. Magical realism - what is it? What makes it different from fantasy? How do you know if something is or isn't magical realism? Furthermore, how does one write magical realism? These are some of the questions I have been mulling over this semester, both because of class and because of my own curiosity. Before this semester, I held the opinion that magical realism was just another way of saying fantasy, only written either a) in another language (as Terry Pratchett claims) or b) in a fashion atypical ...

Opening Sentences

Current Reads: The House of the Spirits by Isabelle Allende (for class)                         Magic for Beginners by Kelly Link (for class)                         After the King edited by Martin H. Greenberg                         Walking with Frodo by Sarah Arthur Current Writing Projects: SOMEDAY , first novel in a quartet about a young wizard named Merlin (no, not that Merlin)                                      "My Friend the Fish," a short story for class in imitation of Kelly Link, mentioned above                                      Various other short stories, some class assignments and some not T...