Thursday, July 21, 2016

Something Wicked This Way Comes: What I'd Want in a Musical Adaptation

I was listening to the soundtrack for Finding Neverland (the musical) today, and when I reached the song "Circus of Your Mind" a thrilling idea occurred to me -- this is the sound I would want in a musical version of Something Wicked This Way Comes by Ray Bradbury. It's possible that the idea was slightly influenced by my listening to the soundtrack for the Addams Family musical recently as well. In any event, I started wondering about what else I would like to see in a Something Wicked musical.

The Story

For those of you unfamiliar with Something Wicked This Way Comes, it is the story of two friends, Jim Nightshade and Will Halloway, who were born within minutes of each other on the night before Halloween. Their friendship is tested when a traveling carnival run by the mysterious duo Cooger and Dark comes to town. The carnival (true to its trope) brings the citizens of the town face to face with their deepest desires and fears, usually with messy results (such as the traveling salesman who is made one of the carnival's attractions). The biggest temptation facing Will and Jim is the carousel that will make anyone who rides it age. Jim, the younger of the two, wishes to be older for once in his life, even if it breaks his friendship with Will. Will is content to be as he is, having seen the effects of age on his older-than-average father. They also have to deal with the darker effects of the carnival's presence in the town when Mr. Dark decides that they have seen too much and starts combing the town for them.

As far as the script for the musical goes, Disney's film (scripted by Bradbury himself) would be a good starting point. The script covers the plot and themes of the book very well and, with its shorter running time, still leaves room to add songs and maybe even restore some of the scenes from the book that were dropped (such as Will and Jim's shared nightmare of the Dust Witch searching for their houses).

The Music

As I said, the sound of Finding Neverland's "Circus of Your Mind" would be perfect for this book, particularly in any songs involving the carnival and Mr. Dark. For the Dust Witch, I'd think something sultry and exotic. Jim and Will's songs should reflect their innocence and disconnectedness from life. The lyrics surrounding the carnival and its members (whether sung by them or other members of the cast) should have a mythic quality. I'd especially love something dark and lyrical sung by Will's father as he researches the history of "the autumn people" as he calls them. There should be room for light and joy in the songs, but the bulk of the musical would have to take on a dark, brooding tone ranging from Jim's determination to be older to Mr. Dark's desire to collect the people of Green Town. Speaking of Mr. Dark, he and his partner Mr. Cooger (largely absent from the film) could have a rousing (if chilling) intro number along the lines of "Marley and Marley" in The Muppet Christmas Carol, although their song would likely have a much darker shade of humor like something from Sweeney Todd.

The Cast

I'm not very well-versed in the stars of Broadway and other theatrical venues, so this will be focused more on what qualities I'd hope for in the characters than specific actors.

Jim and Will are the main characters, so if the show keeps them at their proper ages (almost 14), there will need to be a group of strong child actors in these roles. I would hope that any show would try to keep these two young because it would kill half of the conflict to make them much older than they are in the book. While both of them are white in the book, I don't think race need play a part in their casting, so long as the light and dark dynamic of their hair/personalities is carried over. (It's a pretty big part of the novel's imagery.)

Will's father should be someone like Joel Grey who can portray a frail man with a strong spirit. He should be bookish rather than physically imposing (although if he were someone with a strong physical appearance who could somehow appear to be frail and old, that would be astoundingly wonderful to see).

Mr. Dark was portrayed by Jonathan Pryce in the film, and I think he'd still be a good fit for the role. It needs a certain gravitas and chilling threat in its portrayal, someone who can play a refined businessman when the need arises but has a deep well of darkness and violence waiting beneath the surface to swallow the unsuspecting. Mr. Cooger would need to be someone who has excellent chemistry with the actor for Mr. Dark and who could hold his own when playing opposite such a large personality.

For the Dust Witch, there will need to be an actress who can express herself as everything from a creepy old witch to a young seductress. She will likely be a woman of color, in keeping with her description in the book.

So what book, movie, or other story would you like most to see turned into a stage musical?

Sunday, July 17, 2016

Top(-ish) 100 Books

My friend Melissa recently shared an article detailing the author's Top 10 lists of the Top 100 books and asked everyone what their top 100 would look like. I'm not sure this is an iron-clad Top 100 for me, but it's a rough list (in alphabetical order for the sake of clarity). To no one's surprise, it's primarily fantasy books, and there are lots of repeated authors (mainly C.S. Lewis).

1984 by George Orwell
A Midsummer Night’s Dream by William Shakespeare
A Swiftly Tilting Planet by Madeleine L’Engle
A Wizard of Earthsea by Ursula K. Le Guin
A Wrinkle in Time by Madeleine L’Engle
Abhorsen by Garth Nix
Across the Wall by Garth Nix
Alice’s Adventures in Wonderland and Through the Looking-glass by Lewis Carroll
Castaways of the Flying Dutchman by Brian Jacques

Dark Lord of Derkholm by Diana Wynne Jones
Descent Into Hell by Charles Williams
Dracula by Bram Stoker
Dreams Underfoot by Charles de Lint
Dune by Frank Herbert
Collected Poems by Dylan Thomas
Hangman’s Curse by Frank Peretti
Harry Potter and the Deathly Hallows by J.K. Rowling
Heaven by Randy Alcorn
Hogfather by Terry Pratchett

Holes by Louis Sachar
How Harry Cast His Spell by John Granger
How the Grinch Stole Christmas by Dr. Seuss
Howl’s Moving Castle by Diana Wynne Jones
I am NOT a Serial Killer by Dan Wells
If You Give a Moose a Muffin
Inkdeath by Cornelia Funke
Inkheart by Cornelia Funke
Inkspell by Cornelia Funke
Innocents Aboard by Gene Wolfe

James and the Giant Peach by Roald Dahl
Jonathan Strange and Mr Norrell by Susanna Clarke
Lirael by Garth Nix
Macbeth by William Shakespeare
Marlfox by Brian Jacques
Meet the Austins by Madeleine L’Engle
Mistborn: The Final Empire by Brandon Sanderson
Monster by Mirriam Neal
Neverwhere by Neil Gaiman
Orthodoxy by G.K. Chesterton

Othello by William Shakespeare
Outcast of Redwall by Brian Jacques
Paper Crowns by Mirriam Neal
Perelandra by C.S. Lewis
Piercing the Darkness by Frank Peretti
Planet Narnia by Michael Ward
Plenilune by Jennifer Freitag
Pride and Prejudice by Jane Austen
Ptolemy’s Gate by Jonathan Stroud
Richard II by William Shakespeare

Riddle-Master by Patricia McKillip
Rozencrantz and Guildenstern are Dead by Tom Stoppard
Sabriel by Garth Nix
Saga of the Volsungs
Shades of Milk and Honey by Mary Robinette Kowal
Something Wicked This Way Comes by Ray Bradbury
The Amulet of Samarkand by Jonathan Stroud
The Bloody Chamber and Other Stories by Angela Carter
The Book of the Dun Cow by Walter Wangerin, Jr.
The Chronicles of Narnia by C.S. Lewis

The Chronicles of Prydain by Lloyd Alexander
The Cleric Quintet by R.A. Salvatore
The Eyre Affair by Jasper Fforde
The Four Loves by C.S. Lewis
The Giving Tree by Shel Silverstein
The Golem’s Eye by Jonathan Stroud
The Great Divorce by C.S. Lewis
The Harp of the Grey Rose by Charles de Lint
The Hero of Ages by Brandon Sanderson
The Hobbit by J.R.R. Tolkien

The Illustrated Man by Ray Bradbury
The Jungle Book by Rudyard Kipling
The King of Attolia by Megan Whalen Turner
The Last Unicorn by Peter S. Beagle
The Lone Ranger and Tonto Fistfight in Heaven by Sherman Alexie
The Lord of the Rings by J.R.R. Tolkien
The Martian Chronicles by Ray Bradbury
The Paper Magician by Charlie Holmburg
The Pawn by Steven James
The Place of the Lion by Charles Williams

The Scarecrow of Oz by L. Frank Baum
The Screwtape Letters by C.S. Lewis
The Secret Garden by Frances Hodgson Burnett
The Silmarillion by J.R.R. Tolkien
The Spooky Old Tree by The Berenstains
The Tempest by William Shakespeare
The Velveteen Rabbit by Margery Williams
The Weight of Glory by C.S. Lewis
The Well of Ascension by Brandon Sanderson
The Westing Game by Ellen Raskin

The Wizard of Oz by L. Frank Baum
The Young Unicorns by Madeleine L’Engle
Till We Have Faces by C.S. Lewis
To Hold the Bridge by Garth Nix
To Kill a Mockingbird by Harper Lee
Tree and Leaf by J.R.R. Tolkien
War in Heaven by Charles Williams
Watership Down by Richard Adams
Wolf Moon by Charles de Lint

Zen and the Art of Writing by Ray Bradbury